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Still, she is undeniably sexy whether stripping out of a ridiculous bear costume or rubbing her naked self against the barely pubescent protagonist. She may indeed be the reason this rattling skeleton in her closet does not seemingly exist in any version with its native language.
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As other reviews have mentioned, one of the prostitutes here is played Xuxa Menghel who went on to become a pretty big celebrity singer (and kiddie TV host!) in Brazil. (Besides if you're really looking at the twelve-year-old actor in the presence of all these voluptuous Brazilian women, I think it says a lot more about you than it does the movie).
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Obviously, the sex scenes between the nude adult women and the partially nude adolescent boy were (and still would be) considered controversial, but I think this movie is much less guilty of exploiting the adolescent male body than it is of exploiting the adolescent male fantasies that most adult males still vividly recall. The serious historical intrigue notwithstanding, it's very hard to buy (even in Brazil)that adult women working daily in the sex trade could not resist bedding a boy whose testicles probably haven't dropped yet. As political intrigue swirls both inside and outside the brothel, the twelve-year-old protagonist is seduced by no less than three of the prostitutes.
The film is told in flashback as a fifty-something man remembers a brief period during WWII where he came to visit an upscale brothel managed by his mother. The fairly serious plot is certainly not helped by the atrocious English dubbing of the existing VHS version, but the bigger problem is that the whole movie is even more laughably implausible than even the wildest, most out-there "pornochadas" I've seen.
Brazilian movie somewhat resembles the soapy, exploitative Brazilian "pornochachada" films of its era, but is a much more serious and arty (and pretentious) period film. In the morning comes the news that dictatorial measures were taken by the government, changing the political situation. Newly arrived at the house and coming from Santa Catarina, it is a "virgin" genre and it is especially there to be given to Benicio, who never "jumped the fence". Tamara is the young woman who is most interested in Hugo. Laura gets nervous, not wanting things to get out of hand, so she puts Hugo in a room in the attic, but he is disturbed in a house where circumstances always surround him with young women, some of whom provoke, tease, or attract him. The boy's arrival coincides with the day of a great farewell party for Benício, the most influential and powerful politician from another state.
She lives in a luxurious mansion with several other young ladies, all led by Laura and serving the political maneuvering of Osmar, who uses the house for parties and orgies in order to impress and please possible political allies. In 1937 São Paulo, 12-year-old Hugo comes from Santa Catarina, his grandmother returning him to his mother Anna, who is now with Osmar, the state's most influential politician.
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